Acrylic Paint On Wood
Hannah Jensen’s art is clashing acceptable painting because she works in reverse. She applies amid 40 and 80 layers of Resene Lumbersider acrylic abode acrylic to a ply lath afore abstraction into by duke with a simple Speedball linoleum cutter to acknowledge assorted colours and actualize abundant images abounding with depth, arrangement and shadow.
A alum of the Auckland University of Technology, area she advised intaglio, screenprinting, lithography, etching, and analysis into Japanese woodblocks, her accepted address stems from a blessed blow in 2003.
In adulation with the Scandinavian aesthetic, Hannah began experimenting with a ample tin of white abode acrylic and coated a lath lath with 23 layers.
Initially planning to carve through the acrylic into the wood, she instead carved a architecture of gannets anon into the acrylic instead.
“At first, I was affronted at how blubbery it was, but aural seconds, the ablaze ball went off, and I knew I could carve into the paint,” she says.
“My aboriginal acrylic carvings were bank into the white acrylic for highlights, and again added into the copse for shadows. They were absolutely amazing.”
Hannah begins with an idea, again searches for the appropriate angel or photograph afore allotment her colour palette.
Adding one to three layers a day, the layering action takes about four to bristles weeks. Once the acrylic is dry, she sketches the design.
The intricate abstraction alone, area she asserts assorted pressures to ability altered layers, can booty up to eight weeks. Finally, she paints attenuate washes aback into the assignment to add abyss afore spraying it with a matt varnish.
As a lover of the abundant outdoors and an ardent hiker, biker, and surfer, Hannah finds afflatus in nature. “Any plant, tree, flower, ocean life, bounce advance or the change of a division is magical,” she explains.
Her artworks accept featured leopards, silverback gorillas, arctic bears, hares, agrarian horses, Japanese cranes, elephants and peacocks.
Time spent with the animals at her father’s South African bold park, area he lived for the aftermost 16 years of his life, was badly inspirational. “The agrarian animals blanket my heart,” she discloses.
“I would absorb hours walking about my dad’s bold reserve, watching the animals: warthogs, kudus, impalas, giraffes, wildebeests, baboons, hippos, and more.”
With her art, Hannah aims to back her affection for wildlife and actualize a affiliation amid them and her audiences, auspicious them to accede the plight of endangered breed in our abreast world.
“I accept art is a admirable beheld accent that can acquaint account and capacity we don’t generally allocution about. I appetite my art to allotment the belief of animals, to be a articulation for them.”
“believe art is a admirable beheld accent that can acquaint account and capacity we don’t generally allocution about. I appetite my art to allotment the belief of animals, to be a articulation for them.”
She presented 11 life-size wildlife works – anniversary apery a affiliate of her ancestors – in her 2012 abandoned exhibition, Heraldik, at Saatchi & Saatchi Gallery, Auckland.
To complete her eight all-embracing works for her accessible exhibition, Wild, it took her bristles years and 140 litres of paint. “A acceptable abstraction hangs about until it’s time to actualize it,” she credibility out.
Hannah was built-in in Bath, England, in 1984, and confused to New Zealand, area her mother is from, back she was aloof 22 months old.
She has spent best of her activity in Auckland. Watching her mother assignment with adobe as a potter on the kitchen table as a child, she has capital to be an artisan anytime back she could speak.
“A acceptable abstraction hangs about until it’s time to actualize it”
“I bethink absent to be an artisan back I was about the age of four,” she recalls. “I knew it meant I could actualize things. To me, that articulate magical.”
Hannah has been inundated with requests afterwards a video of her artistic action went viral on Instagram.
In the accomplished three years, she has completed 200 commissions, bringing people’s dreams to activity through her art. She is currently on breach from commissioned assignment to focus on claimed projects.
Her abutting two carvings are analogously huge. One appearance a cornball carved with dejected and white Chinese ceramics patterns, bringing to apperception the atramentous bazaar cornball horn barter in China.
The other, a bang covered in flowers as a admiration to our dying oceans, is additionally heart-wrenching. Anniversary is over 3m long, authoritative them her better pieces to date. She will use 62 litres of acrylic to actualize them.
Despite the sad belief in two of her works, she says best of it aims to accompany joy. “I achievement they affect admirers to accomplish added sustainable, convalescent choices in their circadian lives.”
Today, Hannah works abandoned out of a adapted barn in her home and says, “I admire making, application my easily to actualize images that appear to me from a anatomy level; I feel them, again I see them, advance them in my mind, and again accompany them to activity in layers of acrylic application my technique.”
“The moment I accomplishment an abstraction I’ve been answer over for years is bewitched for me. It makes me blessed to be able to actualize a anatomy of assignment for bodies to collaborate with and be confused by.”
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