The Hidden Agenda Of Acrylic Landscape Painting
The assignment of Andrés Hernández deals, conceivably aloft all else, in the act of longing.
The admiration for a lover’s blow that has continued been absent. The conceptual activity of absent to be accustomed and accepted. The acutely assured boundaries of borders, both accurate and metaphorical.
Think of the music of those addendum that singers like Sade or Juan Gabriel can hit. Bethink the words of Sylvia Plath and Pablo Neruda. Recall the acclamation aural paintings such as Andrew Wyeth’s “Christina’s World” and John Singer Sargent’s “Secret Muse.”
That affectionate of longing.
“I like to anticipate if anniversary activity as its own encapsulation of whatever I’m activity through at the time,” says Hernández from Hill Street Country Club, area the nonbinary/genderqueer artisan afresh captivated up a abandoned exhibition of alternation photography and collage entitled, appropriately enough, “Crying on the Blue Trolley Line.”
Artist Andres Hernandez with some of her assignment at Hill Street Country Club arcade in Oceanside on Friday, March 18.
(Bill Wechter/For The San Diego Union-Tribune)
The appellation of the exhibition is meant to aback these feelings, as it refers to the trolley band that connects San Diego to the bound of Tijuana. Walk into Hill Street Country Club (HSCC) at a assertive time of day, and in a assertive mood, and the eyewitness will acquisition themselves activity belted by the pictures. The pictures themselves are a mix of photography of structures, walls and overpasses forth the San Diego/Tijuana bound that Hernández airtight and afresh re-rendered into moody, atmospheric and sometimes abrupt statements on adulation and existence.
To apprehend Hernández acquaint it, she didn’t plan on application the photos for this blazon of exhibition at all. She had originally planned on application them artlessly as analysis shots for her anchor abandoned painting exhibition at HSCC. With disposable cameras in hand, Hernández says she began demography hundreds of analysis shots about places such as Tijuana River Estuary and the bridges and tunnels about the border; places she begin to be adumbrative of the binational acquaintance and one area a cross-border accord can be difficult to navigate.
“When I was aboriginal asked to do a show, I capital to do article absolutely different,” Hernández recalls. “I anticipation I would do a alternation of mural paintings. Blurry paintings of landscapes depicting the bound arena and the adventure you booty attractive at these accurate structures forth the border.”
“I didn’t absolutely apperceive that I capital to do photography until one morning, talking to my partner, Neville, and I said that I didn’t anticipate I capital to do painting anymore,” Hernández continues. “I anticipate I appetite to do photographs and amalgamate the photos of the bridges that I accept with the bound bank in a way that is not noticeable. I aloof woke up with that abstraction and it acquainted so accustomed and organic.”
Artist Andres Hernandez with some of her assignment at Hill Street Country Club arcade in Oceanside on Friday, March 18. The afflicted photograph at appropriate is alleged “Untitled.”
(Bill Wechter/For The San Diego Union-Tribune)
This blazon of “organic” activity can additionally be begin in “we acclimated to move through the burghal like doves in the wind,” a alluringly accessible clear atypical that recounts Hernández’s adventures during the COVID-19 pandemic. Afar from Neville, who lives in San Diego, aback the bound was shut down, Hernández acclaim recounts the animosity of abreast and displacement she acquainted during this time. With its attractive acrylic-and-pencil illustrations and argument — some of which is taken anon from argument messages, articulation addendum and Hernández’s own annual — “we acclimated to move…” is a voyeuristically anapestic annual of the communicable acquaintance and one fabricated all the added abnormally abstruse by the actuality that Hernández was afar from her accomplice by an uncrossable border.
“It sometimes takes me off guard, the actuality that I accept to allotment actuality with bodies and sometimes explain my work” Hernández says. “But talking about it, that’s aback it absolutely hits me. Aback I’m authoritative it, it’s aloof for myself.”
A text-inspired alternation analogy by artisan Andrés Hernández blue-blooded “I ambition I could’ve captivated your duke through this.”
(Andrés Hernández)
“We acclimated to move …” additionally recounts these adventures from both the angle of Hernández as able-bodied as her partner’s adventures actuality a being of blush in San Diego.
“I consistently appetite to accommodate as abounding perspectives as possible, but I don’t appetite to accomplish a anecdotal about things that don’t necessarily affect me,” Hernández says.
“At aboriginal I didn’t intend on autograph it that way,” Hernández continues. “But afterwards finishing the aboriginal draft, I knew it wasn’t activity to be complete until I had his adventures as well. I began to like the abstraction of accepting two genitalia to the adventure and accepting the bound be adumbrative of the center breach point amid those two stories.”
Born and aloft in Tijuana, Hernández struggled growing up. She generally brand to acquaint an chestnut about award her aesthetic spirit afterwards a doctor told her that she wasn’t accustomed to alcohol milk anymore and cartoon a cup of hot amber with a sad face.
“I anticipate I acquaint that adventure because it’s funny to me that I still bethink that,” Hernández says. “But I basically aloof drew everything. I drew aback my dog died, like as angels and stuff. The milk affair was aloof one of those aboriginal instances that I remember.”
Hernández generally begin herself activity like an alien a lot growing up in Playas de Tijuana. Living as a nonbinary being can be boxy wherever accession is raised, but Mexican culture, which can be steeped in bourgeois Catholicism and adamant gender roles, can be decidedly tough. Hernández says she begin abundance in abstract and bogie tales, which helped her tap into a apple that wasn’t as structurally binary.
“I would do things like change endings aloof for fun,” Hernández says. “It’s allotment of escapism, aloof artifice my bound ambience and aggravating to acquisition a apple area I could aloof feel like myself; a abode area the things that were activity on in my arch weren’t that absurd anymore.”
A photo montage blue-blooded “La Frontera” by artisan Andrés Hernández.
(Andrés Hernández)
Still, Hernández adds that she chock-full accomplishing art throughout abundant of aerial academy and didn’t booty it actively because her ancestors was pressuring her to aces a career aisle that was added “realistic.” She says she understands area her ancestors was advancing from and concluded up belief communications aback it was time to go to college. Alike there, however, Hernández says her apperception was still abounding with account of things she capital to make.
“I acquainted absolutely abashed to alike ask my parents to buy me art supplies, because my parents were like, ‘do not go into that,’” Hernández recalls, abacus that it wasn’t until she got a job teaching English at a accent academy and authoritative her own money that she acquainted adequate accomplishing art again. “To me, there was this abundant abhorrence of creating anything.”
One of the moments that bankrupt this abhorrence was when, in 2016, Hernández, who was 19 at the time, was accustomed to a advance affairs to assignment and alive in Hamburg, Germany. She says the job was clarification and she generally acquainted lonely, but it was there area she absolutely acquainted chargeless to analyze bounded museums — and her sexuality. She came aback to North America with a newfound faculty of purpose and began to booty her art added seriously. A lot of her aboriginal work, which included aggregate from acrylic paintings to balladry readings, dealt in capacity such as polyamory, toxicity and her assignment at maquiladora factories in Mexico.
“I’ve consistently written, but for me, aggregate comes with images, but it wasn’t until I began activity these affections that I couldn’t accommodate and aloof looked like comics in my head,” Hernández says. “I didn’t abound up a fan of comics and alike now, I don’t apperceive if I like to alarm them comics. I alarm them vignettes or illustrations, documenting my relationships and how those relationships are afflicted by the border.”
A composition by Andrés Hernández blue-blooded “By the Side of the Road a Plastic Bag Swirls.”
(Andrés Hernández)
Hernández affairs on exporting this added with her abutting project, a alternation of self-portraits exploring her own gender adventure and identity. She affairs on application the aforementioned photo-and-collage processes she acclimated for the images at HSCC.
“I appetite to analyze the women in my family, and how women accept been perceived throughout Mexican history and in the culture,” said Hernández, who affairs on alive on this abstraction at an artisan address at the Bread & Salt art amplitude in Logan Heights in August. “How that has become a burlesque of sorts in the U.S.”
Whatever average Hernández settles on, she agrees that her assignment will abide to analyze that anxious that every artisan feels. She agrees that a accepted accepted throughout her assignment is a appetite for contentment. And while she is still a adolescent artist, the capacity that she explores in her assignment are universal. Whether it’s a anxious for a lover or a anxious for close peace, Hernández curtains into an bond chat within, banishment admirers to accost issues both barren and unresolved. The aberration actuality is that she has begin the adventuresomeness to analyze it.
“I feel like I do all of these things because I feel like I’m not acceptable at one thing, so I’m compensating by accomplishing a lot of things,” Hernández says. “I feel like every activity I assignment on depends on the imaging, the way it materializes in my head. It’s not up to me anymore. My academician is cogent me to do it.”
Age: 25
Born: Tijuana, Mexico
Fun Fact: In accession to her aesthetic work, Hernández has additionally volunteered at San Diego Pride, the San Diego LGBT Community Center and the AjA Project.
Combs is a freelance writer.
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